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Sundance 2018 New Frontier Further Pushes Into Future Entertainment With Virtual Reality and Artificial Intelligence

http://www.indiewire.com/2017/12/sundance-2018-new-frontier-lineup-vr-1201902974/

As the entertainment space evolves and pushes further into the technology world, including virtual reality, artificial intelligence, and other experimental works, the Sundance Film Festival is continuing to debut some of the best examples of such crossovers as part of its New Frontier section. Every year, the section aims to “offer some of the most innovative independent production and experimentation at the crossroads of film, art and technology that is being created today.” For the 2018 edition of the festival, that will include an international slate of VR, MR, and AI.

This year, New Frontier programming will encompass three venues, including the New Frontier Exhibition at Kimball Art Center (which will host immersive dance and cutting edge VR & MR works as well as works involving Artificial Intelligence), along with New Frontier at The Ray (where works will range from VR, MR, and AR to AI and new media technologies), which will also include The Box at New Frontier at The Ray (a 40-seat mobile VR theater), plus the VR Bar at Music Cafe (which will offer a selection of mobile VR program and world premieres).

Robert Redford, President and Founder of Sundance Institute, said in an official statement, “Technology-enabled storytelling continues to develop into a thriving industry. It‘s essential to protect the creative spaces where creators can develop work and reach audiences independent of commercial pressures. The work that we showcase at New Frontier sets the agenda for the year in creative cross-media storytelling.”

Added Shari Frilot, Sundance Film Festival Senior Programmer and Chief Curator, New Frontier, “This year‘s artists push the boundaries of a host of new technologies in powerful and surprising ways. The story creates the body and the corpus takes on new meaning, offering a new framework for personal interactions in modern society.”

This year’s festival runs from January 18 – 28 in Park City, Utah. Check out the full list of just-announced New Frontier titles, with all synopses provided by Sundance, below.

Films and Performance

“★” / Austria (Lead Artist: Johann Lurf) — This film, compiling shots of clear night-time skies from throughout film history in chronological order, reveals that what humans may regard as an absolute image is actually quite unstable. This instability occurs not only of evolving technological parameters, but also as a result of period- specific trends in culture.

“A Thousand Thoughts” / U.S.A. (Directors and screenwriters: Sam Green, Joe Bini, Producers: Janet Cowperthwaite, Sam Green, Josh Penn) — A live cinema portrait of the legendary classical music group the Kronos Quartet. Green narrates the film and Kronos performs the soundtrack live. A meditation on music itself – the act of listening closely to music, the experience of feeling music deeply, and the power of music to change the world. Cast: David Harrington, John Sherba, Hank Dutt, Sunny Yang.

“Deep Astronomy and the Romantic Sciences” / U.S.A. (Director and screenwriter: Cory McAbee, Producers: Cory McAbee, Daryle Conners, Steve Holmgren, Richard Cole) — A live sci-fi event, presented in the form of two master‘s classes, featuring music, animation and artwork. Topics include the colonization of other planets, sentimentality reform, transdimensional drifting, the proper way to view the universe and the reason that humans exist. Cast: Cory McAbee.

“Organ Player” / U.S.A. (Director and screenwriter: Narcissister) — This hybrid performance/documentary film explores how ancestral data is stored in our bodies, impacting the lives we lead. On the personal level, the film investigates how the artist’s complex family history compelled them to create the masked, erotic performance character Narcissister. Cast: Narcissister, Sarah Lumpkin, Oscar Lumpkin, Bernard Lumpkin, Carmine Boccuzzi.

New Technologies

“Experience Realistic Touch in Virtual Reality” / U.S.A. (Lead Artists: Andrew Mitrak, Greg Bilsland, Joe Michaels, Jake Rubin, Key Collaborator: Dr. Bob Crockett) — HaptX brings realistic touch to virtual reality for the first time. The innovative technology lets VR users feel the shape, movement, texture and temperature of digital objects. By providing advanced haptic feedback and natural interaction, HaptX enables unprecedented levels of realism in virtual experiences.

“Awavena” / U.S.A., Australia, Brazil (Lead Artist: Lynette Wallworth, Key Collaborators: Nicole Newnham, Tashka Yawanawa, Laura Soriano de Yawanawa) The Yawanawa, an indigenous Amazonian people, see immersive technologies as tools they can co-opt to share their connected worldview. Inviting artist Lynette Wallworth to their community, the Yawanawa share the visions of Hushahu, their first woman Shaman, and our technology renders visible the luminous world they have always known. Cast: Hushahu Yawanawa, Tata Yawanawa, Mutum Community.

Artificial Intelligence

“Frankenstein AI: A Monster Made by Many” / U.S.A. (Lead Artists: Lance Weiler, Nick Fortugno, Rachel Ginsberg, Key Collaborators: Nick Childs, Hunter Owens, Brandon Powers) — By challenging dystopian perspectives around Artificial Intelligence, this immersive experience reimagines Shelley‘s seminal work to examine the cultural ramifications of pervasive, ubiquitous technology. Participants interact with an artificial intelligence, co-creating a shared narrative around the implications of unleashing this naive, intelligent “monster,‖ both mythical and imminent, into the world.

“TendAR” / U.S.A. (Lead Artists: Samantha Gorman, Danny Cannizzaro) — A humorous and provocative installation that combines interactive storytelling, AR and emotion/face recognition technology to promote discussion about current topics in biometric data and artificial intelligence. Your guide: a fish-like creature who amusingly analyzes the partners collaborating in the experience, their emotions and the world around them.

Virtual/Mixed Reality Installations

“Zikr: A Sufi Revival” / U.S.A. (Lead Artists: Gabo Arora, John Fitzgerald, Matthew Niederhauser, Key Collaborators: Selim Bensedrine, Igal Nassima, Jennifer Tiexiera, Wilson Brown) — This interactive social VR experience uses song and dance to transport four participants into ecstatic Sufi rituals, while also exploring the motivations behind followers of this mystical Islamic tradition, still observed by millions around the world.

“Elastic Time” / Switzerland (Lead Artist: Mark Boulos, Key Collaborators: Robin Mange, Javier Bello Ruiz) — A mixed reality interactive documentary about space-time, narrated by astronomer Tony Stark (Harvard- Smithsonian Center for Astrophysics). A real-time hologram of your body is integrated into the observatory room; using the controllers, you bend space and time to your will, creating black holes, wormholes and time portals. Cast: Tony Stark.

“Hero” / U.S.A. (Lead Artists: Navid Khonsari, Vassiliki Khonsari, Key Collaborators: Brooks Brown, Mark Harwood, Sinclair Fleming) — An immersive, large-scale installation that explores humanity in our modern era of civilian warfare. In this vérité VR experience with multi-sensory engagement, participants embark upon their own primal journey. When everyday life is disrupted by profound crisis only human connection can inspire hope. Cast: Masoume Khonsari, Perla Daoud, Samer Sakka, Sam Sako, Said Faraj, Sue Shaheen.

“VR_I” / Switzerland (Lead Artists: Gilles Jobin, Caecilia Charbonnier, Sylvain Chagué, Key Collaborators: Jean- Paul Lespagnard, Carla Scaletti, Camilo De Martino) — Blending art with technology, VR_I resulted from the encounter between Swiss choreographer Gilles Jobin and the founders of Artanim, Caecilia Charbonnier and Sylvain Chagué. In this contemplative virtual dance piece, five spectators, immersed together and in real time, use avatars to investigate a performance among surprising effects of scale. Cast: Susana Panadés Diaz, Victoria Chiu, Diya Naidu, Gilles Jobin, Tidiani N’Diaye.

“BattleScar” / U.S.A., France (Lead Artists: Martin Allais, Nico Casavecchia, Key Collaborators: Arnaud Colinart, Raphael Penasa, Andrew Geller, René Pinell) — New York City, 1978: When Lupe, a Puerto Rican-American teen, meets fellow runaway Debbie, the Bowery’s punk scene and the Lower East Side are their playground. This coming-of-age narrative explores identity through animation and immersive environments as Lupe’s handwritten journals guide users through her year. Cast: Rosario Dawson.

“DICKGIRL 3D(X)” / United Kingdom (Lead Artist: Sidsel Meineche Hansen, Key Collaborator: James B Stringer) — DICKGIRL 3D(X) is the non-binary version of EVA v3.0, an avatar purchased online and appropriated by the artist. Through DICKGIRL 3D(X), the viewer becomes a post-human pleasure-seeker in an encounter with a submissive clay-like sculpture.

“SPHERES: Songs of Spacetime” / U.S.A. (Lead Artist: Eliza McNitt, Key Collaborators: Darren Aronofsky, Ari Handel, Jess Engel, Arnaud Colinart) — Dive into the heart of a black hole and uncover the hidden songs of the cosmos. In this interactive VR experience, the breakthrough discovery of gravitational waves transforms how we see the Universe. Fall into the darkness, and you will find the light.

“Wolves in the Walls (Chapter 1)” / U.S.A. (Lead Artists: Pete Billington, Jessica Shamash, Key Collaborators: Edward Saatchi, Saschka Unseld, Jennine Willett, Zach Morris) — All is not as it seems when 8-year-old Lucy‘s imagination proves to be reality. Help her discover what’s hiding inside the walls of her house in this immersive fable, based on the work by Neil Gaiman, and choreographed by New York‘s critically acclaimed immersive theater company, Third Rail. Cast: Elisa Davis, Elizabeth Carena, Cadence Goblirsch

“Chorus” / U.S.A. (Lead Artist: Tyler Hurd, Key Collaborators: Chris Milk, Megan Ellison, Justice) — Crystals, lasers, monsters, heroines. Transform into fantastical female warriors in this social virtual reality experience. Six people can band together to battle evil in this epic journey of empowerment, all orchestrated to the song “Chorus” by Justice.

Mobile VR Lineup

“Dinner Party” / U.S.A. (Lead Artists: Charlotte Stoudt, Laura Wexler, Angel Manuel Soto, Key Collaborators: Rachel Skidmore, Bryn Mooser, Erik Donley) — A short virtual reality thriller that dramatizes the incredible story of Betty and Barney Hill, who in the 1960’s reported the first nationally known UFO abduction case in America. Cast: Malcolm Barrett, Sarah Sokolovic.

“Dispatch” / U.S.A. (Lead Artist: Edward Robles) — A small-town police dispatcher faces the greatest challenge of his career during an all-night crime spree. Cast: Martin Starr, Julianna Guill, Graham Shiels, Beth Grant, Samuel Stricklen, Kelly Jenrette.

“Eyes in the Red Wind” / South Korea (Lead Artists: Sngmoo Lee, Jongmin kim, Youngsam Jung, Key Collaborators: Jaehyun Park, Myuonggoo Ji, Youngsik Yu) — Friends and family members gather to throw a ̳soul scooping‘ ritual, to pacify the soul of a drowned man. When a possessed shaman reveals the murderous truth behind the death on the table, lust and secrets come to the fore. Cast: Sungmi Kim, Jaehyun Kim, Jeongmi Lee, Nara Kim.

“Masters of the Sun” / U.S.A. (Lead Artists: will.i.am, apl de ap, Taboo, Key Collaborators: Pasha Shapiro, Ernst Weber, Sara Ramaker, Eddie Axley) — In 1983, Los Angeles was spared from utter destruction driven by an ancient evil. The ghetto became ground zero for drug epidemic that transformed citizens into soul-sucking zombies through Z-Drops, until a ragtag crew used one weapon to take their city back: hip-hop. Cast: Rakim, Queen Latifah, Jason Isaacs, Stan Lee, KRS- One, Slick Rick.

“Micro Giants” / China (Lead Artist: Yifu Zhou, Key Collaborators: Teng Wang, Shuyi Qiao, Jia Zhang) — A computer-generated VR experience that gives an unprecedented and highly engaging perspective of insect life. When participantsenter into the micro world, tiny flowers and insects in normal life now become mighty trees and beasts. Cast: Pantawit Kiangsiri.

“On My Way” / U.S.A. (Lead Artist: Yung Jake, Key Collaborators: Mike Rosenstien, Ari Kuschnir, Andrew Schwartz) — In a Tesla, multiple Yung Jakes rap about money, cars, drugs and things of that nature, among interactive elements. Cast: Yung Jake.

“Space Explorers: A New Dawn” / Canada, U.S.A. (Lead Artists: Paul Raphaël, Felix Lajeunesse, Key Collaborators: Morgan Spurlock, Ryan Horrigan, Stéphane Rituit) Experience the journey of NASA astronauts as they navigate the trials and sacrifices of their training and missions. An immersive VR experience that shines a light on mankind‘s most ambitious endeavor to understand our planet, our universe and our origins. Cast: Jeanette Epps, Jessica Meir, Victor Glover, Michael Gernhardt.

“The Sun Ladies VR” / U.S.A. (Lead Artists: Maria Bello, Celine Tricart, Christian Stephen, Key Collaborators: Wesley Allsbrook, Tim Gedemer, Mark Simpson) An in-depth look at the personal journey of Xate Singali: from her roots as a famous singer in Kurdistan, through ISIS sex slavery, and to her new life as a soldier on the front lines as she starts a female-only Iraqi fighting unit called the Sun Ladies. Cast: Maria Bello.

“The Summation of Force” / Australia (Lead Artists: Narelle Autio, Trent Parke, Matthew Bate, Key Collaborator: Anton Andreacchio) — In a moonlit suburban yard, two brothers battle one another in a mythic game of cricket. A study of the motion, physics and psychology of elite sport; a cosmic, dreamlike and darkly beautiful metaphor for life. Cast: Jem Autio Parke, Dash Autio Parke.

“Your Spiritual Temple Sucks” / Taiwan (Lead Artist: John Hsu) — Mr. Chang arrives to his ―Spiritual Temple,‖ a place that represents one‘s destiny. To solve his marital crisis and financial problems, he summons his guardian – The Thunder God. They attempt to tidy his life, which turns out to be a big mistake…with hilarious consequences. Cast: Ctwo, Sun Ke-Fang, Han Chang, Andy Tsai, Wei Hao Tseng, Liu Kuan-Ting.

The Sundance Institute New Frontier Program is supported by the John D. and Catherine T. MacArthur Foundation, Cindy Harrell Horn and Alan Horn, Lyn and Norman Lear, Time Warner Foundation, Ewing Marion Kauffman Foundation, John S. and James L. Knight Foundation, Turner, 21st Century Fox, Comcast Ventures, Unity Technologies, Dell, The Fledgling Fund, Jaunt, Technicolor Experience Center, ThoughtWorks, and Vimeo.

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‘The Last Jedi’ Will Be the Biggest Movie of 2017, Even as It Leaves Some Records Untouched

http://www.indiewire.com/2017/12/the-last-jedi-break-records-box-office-2017-1201907307/

The first shows for “Star Wars: The Last Jedi” begin tonight, and there’s every expectation that is will be the biggest-opening, top-grossing domestic release of 2017. At a minimum, we’re looking at a $200 million opening, with $225 million very likely.

With strong holiday playtime following the first 10 days of release, a multiple of at least three times its opening is possible, which could propel to the domestic take to around $700 million.

Yes, it’s going to be huge — but there’s a few records it might not beat. Here (with adjusting numbers to 2017 values) are some comparable numbers that “Jedi” will easily best, and a few that seem unlikely.

Top domestic grosses of 2017: YES

“The Last Jedi” should find the opening numbers easy to beat, and it’s hard to imagine it won’t be the best-performing movie of the year.

Film Studio Opening Gross Domestic Total
Beauty and the Beast Disney $174.8 million $504 million
Guardians of the Galaxy, Vol. 2 Disney $146.5 million $412.6 million
It Warner Bros. $123.4 million $389.8 million

 

Best opening weekends in the “Star Wars” franchise: MAYBE

The bigger opening numbers in recent years can be tied to more seats available, pre-buys, and overall moviegoing habits.

Title Year Opening Box Office
Star Wars: The Force Awakens 2015 $254.5 million
Rogue One: A Star Wars Story 2016 $157.6 million
Star Wars: Episode III — Revenge of the Sith 2005  $151.1 million

 

Best domestic gross for the “Star Wars” franchise: MAYBE

This includes reissues. “Star Wars” is the #2 film of all time, while “The Force Awakens” is the biggest success in the last 20 years. To be as high as fifth on the all time “Star Wars” list, “The Last Jedi”  would need to do 78 percent of the total for “The Force Awakens,” and significantly better than “Rogue One.”

Title Year Total Box Office
Star Wars 1977 $1.591 billion
Star Wars: The Force Awakens 2015 $965.5 million
The Empire Strikes Back 1980 $876.8 million
The Return of the Jedi 1983 $840.0 million
The Phantom Menace 1999  $757.4 million

 

“The Fate of the Furious”

Top international grosses for 2017: NO

The two most recent “Star Wars” films weren’t top among overseas release in their years. In 2015, “The Force Awakens” was second to “Furious 7,” though it did gross over $1 billion overseas. “Rogue One” was eighth best among 2016 releases, grossing $524 million. Expect “The Last Jedi” to gross somewhere in between, unlikely to be better than third best for the year.

Title Studio Total
The Fate of the Furious Universal $1.010 billion
Wolf Warrior 2 Beijing Jingxi Culture & Tourism Co. $864.9 million
Despicable Me 3 Universal $767.8 million
Beauty and the Beast Disney $759.5 million
Pirates of the Caribbean:
Dead Men Tell No Tales
Disney  $622.3 million

 

Top worldwide grosses for 2017: YES

This looks entirely doable. “The Force Awakens” made over $2 billion, “Rogue One” a little over $1 billion; expect this to do more, both at home and overseas.

Title Studio Total
Beauty and the Beast Disney $1.264 billion
The Fate of the Furious Universal $1.236 billion
Despicable Me 3 20th Century Fox $1.033 billion
Spider-Man: Homecoming Sony $880.2 million
Wolf Warrior 2 Beijing Jingxi Culture & Tourism Co.  $870.3 million

 


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