Every Episode of ‘Rick and Morty,’ Ranked


Rick and Morty” does things no other TV shows would dare to do. Even with the infinite possibilities of a portal gun, this is a show that regularly finds a way to reinvent its own rules and subvert expectations of what a comedy can achieve in half-hour increments.

So, in a constant quest to help “Rick and Morty” newbies find the ideal entry point into the series (and to prove to everyone the microverse car battery episode is vastly under-appreciated), we’ve separated out every installment of the show with a little bit of context to explain why each episode deserves its place in the show’s hierarchy.

And let’s be honest: 94 percent of the people who clicked on this story have already skipped down to see where “Pickle Rick” is, so let’s skip the pleasantries, say “Shum shum schlippity dop!” and get to the list.

(We’ll continue to update this list as new episodes make their way to air. For each episode, we’ve also tossed in our picks for each episode’s best quote, some of which singlehandedly moved up their respective episodes a slot or two.) 

25. “M. Night Shaym-Aliens!” (Season 1, Episode 4)

This probably isn’t the least-entertaining “Rick and Morty” episode, but it’s the one that has been most undercut by other episodes doing its standout elements better. Playing with reality as an illusion, nefarious alien entities trying to wrestle technological secrets away from Rick, and Jerry watching an alternate reality crumble around him have all been utilized elsewhere to stronger effect. But this still has a solid David Cross performance and “My man!” never gets old, no matter how many times the episode returns to it. Some “Rick and Morty” episodes are simply a collection of disparate, amusing component parts, and that’s OK.

Best Quote: ”You’re missing the point, Morty. Why would he drive a smaller toaster with wheels? Does your car look like a smaller version of your house? No.” – Rick

24. “Close Rick-counters of the Rick Kind” (Season 1, Episode 10)

Now that we’re well acquainted with some of the intricacies of this particular multiverse, it’s hard to believe that a gathering of Ricks was once a surprise for the show. But even with introducing the bevy of Citadel-bound alternate Ricks, it’s hard not to get over just how weird the rest of this episode is. Seeing a wall full of tortured Mortys is just as unsettling is any mutant Cronenberg, and the farewell Keyser Soze moment of a vengeful rogue Morty disappearing into the crowd is a fun twist on some of the other end-of-episode resets. But above all, let’s all take a second to appreciate the unadulterated commitment to the bit that the chair-pizza-phone combo deserves and gets. The rule of threes has rarely been so satisfying.

Best Quote: “So a few thousand versions of me had the ingenious idea of banding together like a herd of cattle or a school of fish, or… those people who answer questions on Yahoo! Answers.” – Rick

23. “Vindicators 3: The Return of Worldender” (Season 3, Episode 4)

A fun superhero team-up gets inverted when they face the biggest enemy possible: a drunk, nihilistic Rick. Morty gets the chance to play hero, but this is another episode that’s been more satisfying in slightly different iterations. Much like “Pickle Rick,” there’s a shocking amount of detail in the Rube Goldberg experiments that come before each of the Vindicators’ untimely horrific deaths. Even if this felt like a slight missed opportunity to truly upend the superhero squad subgenre, it still did give us the absolute delight that is Lance Reddick as Alan Rails. Toss in Gillian Jacobs’ brilliant Supernova monotone and you have an ideal example of why the more pedestrian “Rick and Morty” episodes have more to offer than most shows’ alternatives.

Best Quote: “Really, you don’t say? You would’ve used a ghost train? Hey, everybody, the ghost train guy would have used a ghost train.” – Rick

22. “Something Ricked This Way Comes” (Season 1, Episode 9)

Has anyone had more fun playing the Devil than Alfred Molina? (Him singing along with some fierce violin playing indicates “no.”) The rapid fire O. Henry-ish set-ups of cursed charms ends up being a little more fleeting than the premise hints at, but this episode does provide some of the shows most GIF-able moments: Rick setting fire to his trinket-cleansing store and a bulked-up Rick and Summer pummeling some Nazis, to name a few. Sprinkled in among the inventive new ways to curse at unsuspecting customers, we get a tiny glimpse into what Rick is like when he’s really lonely and that he may have more affection for his immediate family than he lets on.

Best Quote: “Some voids can’t be filled with Jamba Juice…” – Mr. Goldenfold (Close runner-up: him gleefully shouting “I haven’t learned a thiiiiiiiing!” as he exits the store after Rick cures him.)

21. “Interdimensional Cable 2: Tempting Fate” (Season 2, Episode 8)

Let’s get one thing clear: Werner Herzog deserved an Emmy for this. Both halves of this episode have their share of laughs, such as Jerry fighting back and forth on whether to sacrifice a specific part of himself for the good of the universe and a Jan Michael Vincent-heavy reboot of “Rixty Minutes.” The two never quite mesh all the way (Rick’s “We pretty much nailed it the first time…” says it best), but the non-Herzog guests are also stellar. (How has Gary Cole never been the star of his own medical drama?) And some extra plumbus knowledge always comes in handy.

Best Quote: It isn’t a quote, but Justin Roiland laughing at his improv in both of the cable episodes is pretty delightful. (Oh, and the whispered “Lil’ Bits.“)

Up next: Armothy, a little purging, and the garage monologue that kicked everything off

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Native American Perspectives on Race Offer a Chilling Reminder of the Country’s Violent Past — Watch


As the nation reels from the violence in Charlottesville and a disgraceful response from the White House, many Americans find themselves stunned at the outpouring of racism in our own backyards. But the United States has a long history with racism, right down to the very first colonizers. Native American identities and perspectives have been silenced for too long, as evidenced in this powerful short documentary, “A Conversation With Native Americans on Race.”

Much like Ava DuVernay’s “13th,” the film sets its subjects against a simple background, their words leading the narrative. Their pain is palpable as they discuss their Native identity and what it means to them, revealing the divisive practice of counting one’s Native blood, known as blood quantum. One interviewee relates this to the way purebred animals are discussed, another points to its hidden purpose of circumventing land preservation laws.

The short was directed by Michele Stephenson, director of 2013’s “American Promise,” with Joe Brewster. That film followed two African American boys, one of them the filmmakers’ son, over 12 years in the New York City school system. “American Promise” received a special Jury Prize at the Sundance Film Festival and was nominated for an Emmy. Stephenson worked with the Oscar-nominated, Emmy-winning Op-Docs series from The New York Times.

Watch the moving short below:

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‘Dear White People’ Director Justin Simien is Making a Horror Satire About A Killer Weave


What happens when you mix “Get Out” with “Teeth”? We’ll soon find out in “Bad Hair,” the just-announced horror satire from “Dear White People” director Justin Simien. The filmmaker spent the last year adapting his breakout film into a Netflix original TV series, which is currently in pre-production on Season 2, but now he’s finally set to return to the world of filming with “Bad Hair.” Deadline first reported the news.

“Bad Hair” is a horror satire about a young woman who gets a weave in order to adhere to the standards of the image-obsessed music industry. But her professional success soon comes with a price, as she eventually discovers her new hair has a mind of its own. According to Deadline, Simien is promising genre-bending thrills and razor sharp satirical commentary.

“This will be both a love letter to black women and a critique of the cultural forces our society puts them through,” Simien said.

The cast of “Bad Hair” has not been confirmed yet. Simien is teaming up with the new production company Sight Unseen to make the movie. Producers include Eddie Vaisman, Oren Moverman, and Julia Lebedev, the latter of which executive produces the “Dear White People” Netflix series.

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